European Prospects
Exploring European Identity through Photography

Wytske van Keulen

Wytske van Keulen

Wytske van Keulen


Wytske van Keulen portrays people who, for disparate reasons, live their lives as outsiders. Her distinctive method of documenting – at once plain and empathetic – nevertheless resists the stubborn tendency toward marginalisation, whether emanating from society or from solitude. Both movements are revealed as a symptom of existential helplessness. On closer inspection, the position of the outsider can seldom be attributed to either voluntary withdrawal or imposed exclusion. It is necessary to breach this dichotomy and consider the existing condition in all its complexity and subtlety.

Since graduating from St. Joost (BA) and Post-St. Joost Photography (MFA) in Breda (NL) Wytske van Keulen predominantly works on long-term documentary projects which she presents as artist books and slide installations. In 2008 she self-published the book 'We would come to doubt everything. And almost everyone would come to doubt.', last January her latest book titled 'Sous cloche' was published by Kominek Books, Berlin. Her work was shown nationally as well as internationally at among others the Nederlands Fotomuseum, Rotterdam, the World Expo, Shanghai and the Camera Club of New York. From August till November 2014 she is working as one of three artists at Kamiyama AIR, Japan. Wytske van Keulen lives and works in Amsterdam.

Portfolio We would come to doubt everything…

'The documentary photo project We would come to doubt everything… deals with Juan (Jan), a Brabant dentist who thirty years ago left everything 
behind to start a new life in the remote mountain village of San Sebastian de Garabandal in Spain. Juan de la Torre leads the life of a hermit and
 has devoted himself to the ‘study of life’, immersing himself in books on religion, alternative philosophies, the falsification of history and conspiracy theories.

Van Keulen visited Juan and took pictures of both the rugged, romantic mountain landscape around Garabandal and Juan’s daily life. By enveloping her subject, leaving openings in the image sequence and occasionally adding existing archive material to her photographs, the photographer is able to create a portrait of a mysterious figure. Van Keulen stretches the limits of the documentary genre, and explicitly appeals to the viewer’s imagination.’ (Xander Karskens, 2008)

The work We would come to doubt everything… is presented in a book as well as a slide installation. For the book I asked artist/writer Nickel van Duijvenboden to write a short fiction. The story is entitled Hohenau, after a village founded by German colonists in Paraguay. Van Duijvenboden wrote the story through loose associations with my photographs. Though reality and fiction share some parallels, the outcome is totally different.



2014 Sous Cloche
2008 We Would Come To Doubt Everything. And Almost Everyone Would Come To Doubt
2006 Andzelika
2005 Y'a que la vérité qui compte


2015 Le Chateau d'Eau, Toulouse (FR)  
2014 Myozai Sake Brewery, Kamiyama (JP), Stick holding branch (solo)
2014 Münchner Stadtmuseum, München (DE), The Luxury of Simplicity. Lifestyles away from the norm (group)
2014 Kominek Gallery, Berlin (DE), Sous cloche (solo)
2012 The Camera Club of New York, New York (US), Vague Storytelling (group)
2010 Nederlands Fotomuseum, Rotterdam (NL) and Dutch Culture Centre, Shanghai (CN), Quickscan NL, Dutch photography now (group)